Fall Archives - Art Galleries /galleries/tag/fall/ Augsburg University Wed, 08 Feb 2023 20:38:39 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.5 Hadley Howard | Senior Show /galleries/2020/11/02/hadley-howard-senior-show/ Mon, 02 Nov 2020 20:32:42 +0000 /galleries/?p=10938 The DreamingÌý| Hadley Marie Howard Through large-scale mixed-media dreamscapes, The DreamingÌýexplores the place where the artist’s hopes and dreams live; ...

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The DreamingÌý| Hadley Marie Howard

Through large-scale mixed-media dreamscapes, The DreamingÌýexplores the place where the artist’s hopes and dreams live; a place somewhere between real and imagined, past, and future.


Slideshow of Artwork

Artwork with hand in foreground Artwork with tree in foreground Artwork with faces in foreground Artwork with jellyfish in foreground Artwork with path in foreground Artwork with shapes in foreground

Give your about the show, support an emerging artist.


Artist Statement

I

The creator of worlds
Blind

Enter a world entirely of my own
A world of dream entangled with reality
Only seen and understood when given a home

On a physical plane

That bridges the gap between reality and the imagined

So Breath in and let go
Leave everything behind
Follow each line and curve

Let each color and texture tug at your heartstrings
Feel and remember the steps you took
The steps that lead you here
And then take one more
Cross the boundary of space and time

Let go of reality

For this is the world that I have made
Where love is free and safety promised
Where pain and fear are buried
Beneath you

For you shall tread upon them as they pave the road forward

So come, come forward
In strength and dignity
With head held high

To stand upon all that would tear you down

And breathe
Release your chains of regret

And step forth into a world bathed in light and wonder
For this is the world that I have made and I see that it is good

 

Bio

Hadley Marie Howard is an artist based out of Minneapolis, Minnesota. She received formal training at Augsburg University and primarily works as a graphic designer and multimedia artist. She uses digital software and a wide range of physical mediums to give life to ideas and make them a reality. With a BA in Graphic Design and a minor in Computer Science, she aims to expand her knowledge in the future and use all her skills to continue creating.


Virtual Mock-up

Due to COVID-19 the show in the physical gallery space has been delayed. Here is a virtual representation of what it will look like in the Gallery720 space.

Image of virtual exhibit Image of virtual exhibit

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Jessie Hotchkiss | Senior Show /galleries/2020/11/02/jessie-hotchkiss-senior-show/ Mon, 02 Nov 2020 02:12:00 +0000 /galleries/?p=10787 UNAPOLOGETICALLY MEÌý |Ìý Jessie Hotchkiss Hotchkiss delves into her own past to process the physical and mental vulnerability that can ...

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UNAPOLOGETICALLY MEÌý |Ìý Jessie Hotchkiss

Hotchkiss delves into her own past to process the physical and mental vulnerability that can come from traumatic experiences. Through the use of hand-cut paper and light, she creates shadowbox scenes from past memories that explore these human experiences, and create space for acceptance within her own self.


Slideshow of Artwork

Wrong never felt so right, Hand-cut paper and light, 2019 Wrong never felt so right, Hand-cut paper and light, 2019 What did I do wrong, Hand-cut paper and light, 2019 What did I do wrong, Hand-cut paper and light, 2019 That should be me, Hand-cut paper and light, 2019 That should be me, Hand-cut paper and light, 2019 Where words fail music speaks, Hand-cut paper and light, 2019 Where words fail music speaks, Hand-cut paper and light, 2019 Out of reach, Hand-cut paper and light, 2019 Out of reach, Hand-cut paper and light, 2019

Give your about the show, support an emerging artist.


Artist Statement

I believe that insecurities and guilt mask a lot of creativity and I want to express the beauty in those situations. True artistry comes out when you let yourself feel and let your body speak through your creations. That is exactly what I am aiming to convey by intricately putting these displays together. It helps process an event to its core and takes a lot of mental strength, but the end result gives more satisfaction than is imaginable.

I chose shadowbox art because I literally wanted to bring light to these situations. Not only did I want to use graphic design elements but hand-crafted components to put all of myself into the work. I wanted my creative process to be just as heavily demanding as the situations illustrated. There is no easy route when it comes to reliving the past. You either choose to face it head-on or run away. There is no other way I would want to confront these moments in my life than through art. No, that doesn’t make it any easier, but it is how I am able to accept the things that can’t be changed. At the end of the day, I am unapologetically me.

 

Bio

Jessie Hotchkiss is a working Graphic Designer based out of Coon Rapids, MN. Although her primary work is focused on digital work, her other interests include drawing and sculpting. She loves creating work based on human experience and expressing the events of others through storytelling. She’s achieved her BA in Graphic Design at Augsburg University located in the heart of Minneapolis, MN.


Virtual Mock-up

Due to COVID-19 the show in the physical gallery space has been delayed. Here is a virtual representation of what it will look like in the Gallery720 space.

Image of virtual exhibit Image of virtual exhibit

 


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Chris Steinhoff | Senior Show /galleries/2020/11/01/chris-steinhoff-senior-show/ Sun, 01 Nov 2020 20:26:13 +0000 /galleries/?p=10795 What do we do when IT’s all said and done? | CHRIS STEINHOFF What do we do when it’s all ...

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Basketball player dressed for a game, reading a book in the library

What do we do when IT’s all said and done? | CHRIS STEINHOFF

What do we do when it’s all said and done looks at the all consuming identity of being an athlete through a series of black and white photographs. Steinhoff’s portraits explore the displacement athletes experience when the sport that provided so much structure, relationships, and dedication is no longer there.


Slideshow of Artwork

Dayton, Digital print, 2019 Nick, Digital print, 2019 Kev, Digital print, 2019 David, Digital print, 2019 Chris, Digital print, 2019 Ben, Digital print, 2019

Give your about the show, support an emerging artist.


Artist Statement

Since my passion for photography and design has emerged, I have been drawn to the freedom of creation. I create work mainly using the mediums of photography and digital applications such as Illustrator, Photoshop, and InDesign. I also use these applications to digitally manipulate my photographs.

My work is greatly influenced by my past life experiences and choices. I reflect on certain events or time periods to really understand my emotions and how those experiences have had an influence on me to this day. While creating my work, specifically photography, I focus on human interaction. Trying to become so comfortable with my subjects and models that I almost become invisible, letting the subject truly relax and let down their guard.

I have spent most of my life identifying and being surrounded by athletics. Living this double life brings a unique perspective to my work because I have been able to adapt to two very different cultures. My hope is to share my experiences with my viewers so that they can understand a new perspective or connect with my own.

 

Bio

Chris Steinhoff is a Graphic Design major at Augsburg University, currently in his senior year. Chris was born and raised in St. Paul, MN, and attended Como Park Senior High School. He primarily focuses on photography and design but has been exploring other mediums. For most of his life, Chris has identified solely as an athlete since he played baseball for 15 years.

Recently, Chris made the decision to step away from athletics and focus on other aspects of life. Chris likes to reflect on events and emotions he has experienced through his life specifically on when it was consumed with athletics. He believes this brings a unique perspective to the creative community.


Virtual Mock-up

Due to COVID-19 the show in the physical gallery space has been delayed. Here is a virtual representation of what it will look like in the Gallery720 space.

Image of Chris Steinhoff's exhibit Image of Chris Steinhoff's exhibit

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ElenaÌýJ Schaust | Senior Show /galleries/2020/10/30/elena-schaust-senior-show/ Fri, 30 Oct 2020 20:49:50 +0000 /galleries/?p=10834 Screenshot | Elena J Schaust A series of acrylic paintings on panel, Screen Shot explores the tenuous nature of texting ...

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Art work by Elena

Screenshot | Elena J Schaust

A series of acrylic paintings on panel, Screen Shot explores the tenuous nature of texting as a means to communicate impactful information.


Slideshow of Artwork

Blue Sky Day, Acrylic on wood panel, 13"x22.5" New Normal, Acrylic on wood panel 13"x22.5" Last Rights, Acrylic on wood panel, 13"x22.5" Generation Gap by EGeneration Gap, Acrylic on wood panel, 13"x22.5"lena Women's Work, Acrylic on wood panel, 13"x22.5" Father Daughter Bonding, Acrylic on wood panel, 13"x22.5"

Give your about the show, support an emerging artist.


Artist Statement

The use of modern text messaging to transmit impactful dialogue is worthy of consideration. A fascination with the implications texting lends to modern communication is at the core of my work with this series. I have built large wooden panels that are to-scale iPhones. Each panel is painted in acrylic, rendered abstractly, and informed by a text chain’s subject matter. Unexpected interviews while compiling text conversations furthered my suspicion that many people experience texting negatively, rather than positively. Each bubble of intimate conversation is hand lettered, a painstaking contradiction to real time texting.

Contemplating the implications of each conversation is a vital part of the process in this series. My own personal relationship to texting as a lifeline was highlighted in 2018 after months of hospitalizations for cancer treatments. It became evident very quickly that the sometimes-tenuous manner of texting could result in wildly varied outcomes. Emotional responses to language in art have historically captured my interest, lending perfectly to the tricky foundation texting can create in relationships. These paintings begin to grasp at the next evolution in human connection through written language.

Bio

Elena Schaust lives and teaches in Minneapolis, Minnesota. She has completed her BA at Augsburg University as a studio art major, with a psychology minor. Elena has a long background in visual arts, stemming back to the late 1990’s as a professional photographer. Currently, she focuses her creative endeavors in painting. Elena has been intrigued by the complex way people use technology to communicate since the arrival of modern cell phones. This interest drives her to explore language as a means to convey impactful moments. Elena’s current series of paintings inspired by text message conversations were collected through interviews with friends and family.


Virtual Mock-up

Due to COVID-19 the show in the physical gallery space has been delayed. Here is a virtual representation of what it will look like in the Gallery720 space.

Image Of Elena Shaust's Exhibit Image of Elena Schaust's Exhibit

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Victor Sanchez | Senior Show /galleries/2020/10/30/victor-sanchez-senior-show/ Fri, 30 Oct 2020 18:02:03 +0000 /galleries/?p=10900   St. Jerome in the WildernessÌý| Victor Sanchez St. Jerome in the Wilderness is an exploration of a dream, a ...

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St. Jerome in the WildernessÌý| Victor Sanchez

St. Jerome in the Wilderness is an exploration of a dream, a hero, a saint, a crisis, and reconciliation. Through pen and ink, pencil, acrylic, and digital graphic design, Sanchez investigates historical narratives to better understand human forgiveness.


Slideshow of Artwork

St. Jerome in the wilderness, 2020, Pen and ink on paper, 17" x11" St. Jerome 1, 2019, Graphite on Illustration board, 30" x20" St. Jerome the Logo, 2019, Digital print on paper, 17"x 11" St. Jerome 1a, 2019, Acrylic on Illustration board, 30"x 20" St. Jerome in the wilderness, 2020, Acrylic on Canvas, 40"x30" St. Jerome 2, 2019, Graphite on Illustration board, 30"x20" St. Jerome 3, 2019, Graphite on Illustration board, 30"x20"

Give your about the show, support an emerging artist.


Artist Statement

St. Jerome in the Wilderness is an exploration of a dream, a hero, a saint, a crisis, and reconciliation. My preferred working style is representational, my medium is pen and ink, pencil, acrylic, and digital graphic design. To invite you in the gaze and employ the narrative I’m anthropomorphizing the story like a children’s book, in an attempt to emotional connect with and slowly digest the hero and heron narrative.Ìý Each character symbol is an interconnected explorer, they all have in common the responsibility to culturally ascribe, what and who is the hero and heron. The theory of this exhibit is not about the moment a crisis intersects with the hero and heron, it includes a lost personal object, material possession, spiritual relationships, and a reflection on redemption. Because the story of St. Jerome is a human way to connect a personal narrative with God and the dream, I used him to find redemption and reconciliation for the hero and herons of everyday. I continue to investigate historical narratives surrounding the stories of saints, and heroes from the 14th, 15th, and 16th centuries to our current time, in hopes of broadening my understanding of human forgiveness. I’m on the lookout for refreshing views of common lives doing extraordinary things in ordinary ways for the world and their neighbors.

Bio

Victor Sanchez is a visual artist living and working in Minneapolis. He is currently at Augsburg University pursuing a BA in studio arts with a minor in art history. He has also attended The School of the Art Institute of Chicago with a major in industrial design, the American Academy of Art for Illustration, and Bethel University in studio art.

Victor grew up in Chicago and Panama. He danced character, jazz, tap, and classical ballet at Ruth Page School of Dance and performed in the Nutcracker Suite, Giselle, Where the Wild Things Are, and Alice and Wonderland, and at Minneapolis’s Guthrie Theater, Southern Theater, Pillsbury House Theater, First Avenue, and Illusion Theater. He has worked as an art director and illustrator for the Saint Paul Pioneer Press, the Utne Reader, Minnesota Monthly, and Midwest Home and Garden magazines, and as a museum exhibit graphic designer, multimedia interactive designer, and model builder with Deaton Museum Services and the Science Museum of Minnesota. Victor’s healthy community mural can be seen at the offices of the Fairview Uptown Clinic in the Calhoun office building.


Virtual Mock-up

Due to COVID-19 the show in the physical gallery space has been delayed. Here is a virtual representation of what it will look like in the Gallery720 space.

Image of Victor Sanchez's exhibit Image of Victor Sanchez's exhibit

 

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Emily Duesing | Senior Show /galleries/2020/10/14/emily-duesing-senior-show/ Wed, 14 Oct 2020 20:15:51 +0000 /galleries/?p=10867 Greater Than Face-Value | Emily Duesing Greater Than Face-Value is a series of portraits that peel back the layers of ...

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Greater Than Face-Value | Emily Duesing

Greater Than Face-Value is a series of portraits that peel back the layers of each subject’s world with bright colors and graphic elements. The show offers a challenge to encounter those within our influence, including ourselves, with greater vulnerability and empathy.


Slideshow of Artwork

Signal Guide Acrylic on Board 30â€x42†2019 Truth Advocate Acrylic on Board 30â€x42†2020 Soul Key Acrylic on Board 30â€x42†2019 Joining Hinge Acrylic on Board 30â€x42†2020 Fellow Traveller Acrylic on Board 30â€x42†2019 a piece of paper with indecipherable writing

Give your about the show, support an emerging artist.


Artist Statement

My work focuses on human landscapes. The portrayal of the subjects is realistic in form and stylized in color. This examination of the face and head becomes an investigation of human experience and connects to ideas about identity and adversity that exist outside the boundaries of the canvas.

For me, art is an intimate consideration of concepts that I cannot grasp any other way except to visually explore. The act of making becomes a prism to reveal layers of complexity in the subjects. I recognize the only thing I can change in my life is me. When I make art, I fearlessly confront some incongruence within myself. Therefore, my work is autobiographical, and portrait focused.

Emotion, as I experience it, is continually shifting and changing; it is impossible to grasp its totality all at once. I use my art to pull apart the facade that we present to the world and explore the fullness of humanity.Ìý With the color pallet obscuring and revealing emotions, I illustrate what this changing emotional landscape could mean for myself and the viewer.

Bio

Emily is a two-dimensional portrait artist who investigates empathy through painting the figure. She has always had a fascination with the human face and what it can reveal to a viewer. Emily currently lives in Minneapolis and has her Bachelor’s in Fine Art from Augsburg University. Emily is focused on becoming a licensed counselor where she hopes to use art to facilitate healing.Ìý Themes in her work include vulnerability, humanity, and redemption. Emily primarily makes work and her studio apartment or in the Augsburg painting studio. Emily has received several honors and recognitions for her work including the Normandale Purchase Award and Augsburg’s Fine Arts Scholarship, numerous juried shows, as well as a solo exhibition and artist talk at Gallery 720 in Minneapolis.


Virtual Mock-up

Due to COVID-19 the show in the physical gallery space has been delayed. Here is a virtual representation of what it will look like in the Gallery720 space.

Image of Emily Duesing's exhibit Image of Emily Duesing's exhibit

 

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Wendland Artwork /galleries/2019/12/03/wendland-pieces/ Tue, 03 Dec 2019 14:47:41 +0000 http://www.augsburg.edu/galleries/?p=10580 Contact gallery@augsburg.edu for sales $125 each Sale proceeds will be donated to the Augsburg Urban Arboretum Fund, a dynamic multi-functional ...

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Contact gallery@augsburg.edu for sales

$125 each

Sale proceeds will be donated to the Augsburg Urban Arboretum Fund, a dynamic multi-functional green space that deepens the student, faculty, and community experience through hands-on education, research and recreational programs, serving as a sustainable anchor for our urban environment.

 

Reflections #2


Reflections #3


Reflections #4


Reflections #5


Reflections #6


Reflections #7


Reflections #8


 

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Miel y Petróleo – Jonathan Herrera /galleries/2019/07/16/miel-y-petroleo-jonathan-herrera/ Tue, 16 Jul 2019 16:04:28 +0000 http://www.augsburg.edu/galleries/?p=10436 Miel y Petróleo / Honey & Gasoline – Jonathan Herrera Soto October 24–December 18 Reception: October 24, 6-8 p.m. Herrera ...

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Miel y Petróleo / Honey & Gasoline – Jonathan Herrera Soto

October 24–December 18

Reception: October 24, 6-8 p.m.


Herrera Soto explores various relationships between collective memory and historical instances of state-sponsored violence and trauma inflicted on politicized bodies. He constructs print-based objects, installations, and environments that echo lived experiences of those who are no longer with us. Print-based processes translate the content through symbolically revealing the act of remembering in producing tracings and impressions.
Ìý
Miel y Petróleo / Honey & Gasoline is a collection “Love Poems.” The project in the exhibition consists of a daily exercise in analyzing and questioning notions of love in relation to political violence. As a work of para-fiction, “Love Poem” series shifts between various narratives, jumping to and from various forms of visual languages such as abstract rubbings, text, and images. Herrera Soto uses these compositions to work through his own notions of love in his personal life with family members, romantic partners, beloved friends, and the trauma he observes in his subject matter. The work crystallizes his perception of being intertwined and bound to his subject matter, unable to discern where the work starts and he begins.

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between lost and found – Lyz Wendland /galleries/2019/07/12/between-lost-and-found-lyz-wendland/ Fri, 12 Jul 2019 17:48:46 +0000 http://www.augsburg.edu/galleries/?p=10408 between lost and found October 24-December 18, 2019 Reception: October 24, 6-8p.m., Gage Gallery Wendland’s brightly colored, mixed media paintings ...

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between lost and found

October 24-December 18, 2019

Reception: October 24, 6-8p.m., Gage Gallery


Wendland’s brightly colored, mixed media paintings set up conflicts between contradictory shapes, encouraging an encounter and awareness to these relationships in our landscape.

 

Artist Statement

Collecting from the natural world and influence of architecture, my work explores the abstract gestures beneath the organic and structural. My relationship to our ever-shifting landscape fuels my current practice. I observe my presence to these spaces through sketching from observation. Elements of these sketches lead to my larger works, a layered process of painting utilizing acrylic and gouache on paper and duralar. Pinned layers of floating strokes create multiple layers for interaction.

Grounded in an interplay of color and shape, a visual language between two-dimensional and three-dimensional segments is formed.Ìý My work sets up conflicts between contradictory shapes, encouraging an encounter and awareness to these relationships in our landscape.

By recalling my encounters, the work assembles momentary glimpses and memories of landscape in space.Ìý Through these explorations, the work confronts viewers’ assumptions about space and place, while casting familiar landscapes into new contexts.

 

Bio

Lyz Wendland is a visual artist living and working in Stillwater, Minnesota. She received her MFA from the Minneapolis College of Art and Design and her BFA in drawing, painting and art history from Minnesota State University, Mankato. Her work has been exhibited in galleries and museums regionally and nationally. Lyz has been the recipient of a Jerome Foundation Project Grant and a Minnesota State Arts Board Artist Initiative Grant. She has received numerous faculty development grants and awards for her research on improving participation, critical thinking and motivation relating to art critiques in studio courses. Currently, Lyz is Assistant Professor of Art at Augsburg University in Minneapolis, Minnesota teaching drawing, painting and design.


 

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Alumni Show 2019 /galleries/2019/06/26/alumni-show-2019/ Wed, 26 Jun 2019 19:02:40 +0000 http://www.augsburg.edu/galleries/?p=10387 ALUMNI ART Exhibition 2019 September 16–October 11, Gage & Christensen Galleries Reception September 26, 6–8 p.m. Awards @ 7 p.m. ...

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ALUMNI ART Exhibition 2019

September 16–October 11, Gage & Christensen Galleries

Reception September 26, 6–8 p.m.

Awards @ 7 p.m. in the Oren Gateway Center Lobby


The biennial alumni show is open to all Augsburg alumni and showcases their most current work. This year, we are honored to have Keisha Williams, Curatorial Department Assistant and Artist Liaison in Contemporary Art at the Minneapolis Institute of Art, as our juror. The exhibition contains work from 23 alumni who graduated between 1967 and 2017 with degrees ranging from Art, Art History, Business, Communications, Education, English, Psychology, and Sociology.

 

Keisha Williams is the Curatorial Department Assistant and Artist Liaison in Contemporary Art at the Minneapolis Institute of Art. She holds an MA in Visual Arts Management and Curating from Richmond the American International University in London, as well as an MA in Art Gallery and Museum Studies from the University of Leeds. While in the UK, she worked at both the Battersea Arts Centre and the National Maritime Museum where she spearheaded projects on International Slavery Remembrance Day as well as a festival-wide takeover event with BAC Young Producers. She is a contributing author to the recent Routledge publication Accessibility, Inclusion, and Diversity and Critical Event Studies.


 

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